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Have Children Become the Media’s Favorite Pawns?

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“If not for the media coverage, none of that would have happened,” a man told the New York Times reporter assigned to write a story about the global media presence that has descended on Newtown, Connecticut in the wake of Friday’s horrific massacre of 20 children at Sandy Hook Elementary School. (As we all know, six women—some mothers themselves—were also shot and killed with an assault rifle used by gunman Adam Lanza, who then took his own life.) Since the killings, we have heard many people chide the media for offering 15 minutes of fame to these school shooters; the implication is that if media infamy was not available then these killers would not kill so many innocents in such spectacular fashion. We have also heard that the horror bred from the global publicity around so many tiny children killed in such an idyllic setting will surely lead to long-overdue gun regulation reform. But why must children be the pawns in these battles? Why must the spectacle of their innocent faces and adorable little voices—asking such heartbreaking questions—be the catalyst for much-needed media reckoning and gun control reform? By this point we’ve all had a good cry (or many bouts of sobbing), but now it’s time to take a good hard look at the status of children in our society.

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This is one of my favorite recent photos of my children, mainly because it shows what kids generally do when they think the camera is off: turn whatever’s nearby (in this case, a red flagpole) into their playground. They did this after I was done taking posed photos of them in their matching red outfits for this year’s Christmas card. As always, I was focused on the perfect spectacle of imaginary childhood, while they just wanted to be real kids doing real kid-stuff. In this case, climbing.

I haven’t posted in more than a week because of my disgust over the senseless suicide of Jacintha Saldanha, the nurse at London’s King Edward VII hospital who transferred a prank call from Australian radio personalities pretending to be Queen Elizabeth and Prince Charles inquiring after Kate Middleton’s morning sickness. I wasn’t disgusted that Ms. Saldanha hung herself—a mother herself, she must have been in incredible pain to take such an action, and no one should judge her pain. Instead, I was disgusted that the media frenzy over the prospect of a royal baby not only fueled these Australian disk jockeys’ callousness but also the media circus that followed the nurse’s supposed breach of Kate’s security. Using the pretense of this future royal baby, we made this nurse feel so consumed by her guilt over the media spectacle that she abandoned two children of her own—a son and daughter with real needs—to a life without their mother. The media spectacle of childhood has become more important than the lived reality of children themselves. I don’t blame “the media.” “The media” is composed of individuals just doing their jobs, many of them parents themselves, as we intimately observed when reporter after reporter choked back tears reporting the deaths of six- and seven-year-olds in Newtown, Connecticut. I blame a society in which the lived reality of a child’s life has become cheap, while everyone profits from the media’s sentimentalization of imaginary childhood. It’s time to get our priorities straight and start protecting real kids and their real families, rather than forcing children into the spotlight only when they symbolize spectacular issues like celebrity, royalty, or gun violence. (I probably haven’t put this very well because I’m really upset. I hope you understand.)

Princess Kate Joins the Celebrity Moms. Hooray.

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Well, Kate Middleton is officially pregnant, and in a most spectacular fashion that sent her “to hospital” (as the Brits charmingly say) with severe morning sickness. This will give Us Weekly its third baby-related cover in a row: two weeks ago it featured Will and Kate with the speculative headline “Baby for Christmas,” last week the magazine piled onto the Jessica Simpson media spectacle with a cover about her second pregnancy, and this week I have no doubt that they will revel in re-announcing Princess Kate’s pregnancy now that it’s officially official.

A telltale pregnant gesture by Kate Middleton, captured by the UK's Glamour magazine.

A telltale pregnant gesture by Kate Middleton, captured by paparazzi last week for the UK’s Glamour magazine.

All this media spectacularization of pregnant bodies got me thinking about what makes the Duchess of Cambridge any different than the legion of “yummy mummies” in Hollywood and, conversely, what makes the celebrity moms our society worships any different than the monarchy worshipped by the British public? It’s often said that in the United States we lack official royalty and thus endow royal qualities in the other famous people available; some people think that the Kennedy family is our version of the British royals, but it’s far more likely (and sadder) that the general American public thinks of Hollywood celebrities as local royalty far more than they think of America’s most famous political family this way.

The creepiest exercise is to think about how similar the expectations we have about female celebrity’s fertility are to the semi-official, centuries-old expectations surrounding British royal women. Princess Kate apparently breached this protocol somewhat by taking more than a year to become pregnant: normally, royal brides are expected to be magically “with child” within a year of the royal wedding. That’s pretty gross and the relentless speculation that has hounded every wardrobe choice of Her Royal Thinness, er, Highness, ever since her engagement to William was announced have cemented the fact that, under the British royal system, women in 2012 are still primarily valued for their ability to produce male heirs.

But is this really so different from our expectations around female celebrities in the U.S.? From the minute Hollywood celebrities become associated with a “Brangelina” style coupling, American tabloids and even the so-called legitimate press begin quizzing them about their baby plans and constantly scrutinizing their bodies for signs of fertility (especially the telltale “baby bump”). The assumption is clearly “first comes love, then comes marriage, then—ideally within a year of the spectacular celebrity wedding—comes baby in a [very expensive, designer] baby carriage.” It’s completely understandable (if still depressing for feminism’s progress) that Kate, who is unemployed other than her royal station, would see baby-making as her job since it’s the main way her society tells her she can contribute to the royal enterprise.

However, U.S. celebrities such as Jessica Simpson ostensibly have paid careers: in Jessica’s case, a shoe line, a lucrative Weight Watcher’s contract, and (horror of horrors) maybe even a new album in the works. So why do we still think of baby-making as the primary way Jessica can contribute to society and becoming pregnant (again!) the most fascinating thing she can possibly do? For all of Simpson’s power as a very successful entrepreneur, pretty much the same centuries-old, traditional expectations of a woman’s role apply as do in Middleton’s case.

Her Royal Highness’s deceased mother-in-law, Princess Diana, had a love-hate relationship with celebrity culture (perhaps excepting her fabulous dance with John Travolta) and with the paparazzi (culminating in her horrific death practically at these photographers’ hands). Her daughter-in-law Kate seems to harbor far less ambivalence about conforming to Hollywood’s standards, which by now have become the world’s standards of female beauty owing to the globalization of American culture.

A side-by-side comparison of Kate's and her MIL's pregnancy styles in yesterday's Hollywood Reporter.

A side-by-side comparison of Kate’s and her MIL’s pregnancy styles in yesterday’s Hollywood Reporter.

According to yesterday’s Hollywood Reporter article “Great Expectations: Kate Middleton’s Pregnancy Style Will Be Very Different From Princess Diana’s,” in the intervening decades between the two women’s pregnancies, maternity wear has become far tighter, shorter, and overall just more revealing than the Laura-Ashley-style mumus worn by Diana’s generation. Maternity clothing is now worn to highlight the pregnant body rather than hide its spectacular difference. As the Hollywood Reporter put it, “Bumps are no longer hidden, they are flaunted and wrapped in stretchy Lycra.” These sartorial choices make the pregnant body ever more available to the paparazzi’s lenses, and sends the message ever more strongly to girls and women everywhere that their bodies are spectacles they must self-punishingly control (think of Kate’s runner-induced thinness) or else suffer the judgment of everyone (think of Jessica’s 70-pound pregnancy weight gain). As happy as I am for Her Royal Highness, I suspect this latest installment in the celebrity mom saga will only up the ante for all of us. None of us can escape the great expectations that surround our own anxious bodies.

Why Reese’s New Baby Shouldn’t Be Her “Prized Possession”

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In one of the “Top Shots of the Week” on omg! from Yahoo! (OMG all those explanation points…), actress Reese Witherspoon is featured holding her eight-week-old newborn son while running errands in Los Angeles. Yahoo’s photo caption reads, “Reese Witherspoon may have an Oscar, but it’s clear her most prized possession these days is her adorable new son Tennessee.” There are so many things wrong with those 21 little words.

A screenshot of Yahoo’s coverage of Reese Witherspoon and her baby encapsulates everything wrong with celebrity mom coverage (though even I’ll admit it’s an adorable photo). Note the pink “Get the Look” buttons which direct readers to shopping links for Reese’s designer sunglasses, watch, and handbag. There is no end to the consumerist implications of these media presentations — but I’m pretty sure Reese didn’t eat much food like Philadelphia “Indulgence” cream cheese in her rapid post-baby weight loss.

First of all, did anyone ask this working mom if giving birth to her third child is an accomplishment she “prizes” more than winning an Academy Award for playing June Carter Cash in Walk the Line? I doubt it, but the media seems perfectly comfortable reading that into a set of poses captured by paparazzi. Secondly, I know we are just coming down from the consumer gluttony that is Black Friday and Cyber Monday, but doesn’t it seem a wee bit materialistic to refer to a human baby as a “prized possession”?

Never mind that an Oscar connotes “the highest achievements in filmmaking” — according to the celebrity media, Reese’s career should pale in comparison to her newest “prized possession.” Graphic from oscars.org

Also note how Yahoo is equating baby Tennessee with Reese’s Oscar statuette — they should have just appended a reader poll that asks which little man would look better on Reese’s mantle this Christmas…Those 21 little words tell women, in no uncertain terms, that having a baby is the most important thing you can do (after which the silliness of your little career will become all too apparent), that a baby is the hottest material object you can acquire, and that your self-worth will be defined by your thin body and the expensive accessories you clothe it in. Suddenly that cute baby picture doesn’t seem so cute, does it?

 

A Thanksgiving Conspiracy Theory About Jessica Simpson

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As we face down the mother of all feasts this Thursday, I find it extremely curious that Us Magazine would choose this of all weeks to publish a story about celebrity mom Jessica Simpson—who gave birth to her first child Maxwell back in May—losing 60 pounds as part of her contract with Weight Watchers. As Dodal Stewart pointed out on Jezebel back in September, I understand that the media obsession with Simpson’s paid weight loss is supposed to tap into our fat-shaming and mother-judging culture. But it seems like an entirely other sort of conspiracy to time such an enormous weight-loss announcement at precisely the moment that most moms are planning their Thanksgiving menus (I, for one, have already spent three hours and dropped nearly $200 shopping for the feast, and we’re just cooking for the six of us!).

A whipsmart Jezebel graphic about the media’s obsession with celebrity moms’ bodies

I don’t blame Jessica Simpson. I think she’s actually been really down to earth about her pregnancy weight gain and that, as a celeb who’s only known for being “former” (former-singer, former-reality star, former-Daisy-Duke-impersonator), she made the wisest possible career move in signing with Weight Watchers to publicize her post-partum body battle. No, I blame the media, of course. As commentators on the Us Weekly story point out, Simpson’s transformation hardly justifies the “Wow!” headline the magazine used to hook readers. Instead of tracking a newsworthy story, Us (much like other media outlets) made its own news by tapping into the contradictory emotions that dictate pretty much every occasion in mothers’ lives: we plan an eating event that throws caution to the wind while simultaneously worrying about the potential weight gain. That pretty much sums up the state of constant anxiety that is motherhood.

The turkey float that appears every year in the Macy’s Thanksgiving Day Parade is approximately the same size as the anxieties that mothers carry around with them on a daily basis.

I noticed this in my Bar Method class yesterday when the teacher—herself a mother of young children—repeatedly “inspired” a roomful of sweaty moms to workout extra hard by saying we were “earning” the extra food we would consume on Thanksgiving. We were burning off those Turkey Day calories in advance. The instructor even told a newly pregnant student to push herself harder (the exercise in question being one in which we literally fold our bodies in half) because “your baby isn’t in the way yet!” Don’t get me wrong: I love my Bar Method routine with an irrational passion (and I’m not suggesting the pregnant woman was in any danger). But why must being a mom involve loathing our bodies so damn much? I’ll be thinking about this while I make my first-ever pies from scratch tomorrow and then try not to consume them all by myself. Anyway, Happy Thanksgiving everyone!

 

 

 

Celeb Moms Never Have to Be “Martyrs”

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The latest working mom to hit the blogosphere is an unnamed former associate at the DC law office of Clifford Chance. I say “former” because this harried lawyer, who is also the mother of two preschool children, quit her high-powered job in a most spectacular fashion: by sending her colleagues an email detailing the insane schedule of most working moms as her way of saying “see ya’.” Of course one of her colleagues leaked the message to someone outside the firm (Elie Mystal), who removed the poor woman’s name and posted her departure memo to the legal site Above the Law.

Sarah Jessica Parker as a harried working mom (juggling Blackberry and toddler) in the film adaptation of “I Don’t Know How She Does It.” New York Post photo.

On the Huffington Post, parenting blogger Lisa Belkin interprets this particular working mom’s insane schedule as symptomatic of all the problems with the typical American workplace that is “a 1950s model set in a 2012 world.” By 1950s she partly means that it relies on the assumption that the worker has a nice little wifey at home taking care of all things domestic, including the rugrats, who often get up at 4 a.m. and aren’t done making demands until almost 9 p.m. each night. But Belkin believes that one line in the lawyer’s memo suggests that in this case, at least, a working mom is successful sharing parenting duties with her spouse:

Partnership.”Negotiate with husband over who will do bathtime and bedtime routine; lose,” she writes at 7:45, then proceeds to spend until 9 p.m. on those routines. This after being the parent who got out of bed at 4 a.m., gave the baby a bottle at 6:15, dressed the kids at 7 and drove them to daycare at 8. The fact that she and her husband “negotiated” that night’s evening rituals means that they do share the work.

I interpreted this key moment in the lawyer-mom’s day very differently. Nowhere in the course of this woman’s day does her husband take on any of the childcare responsibilities—she is clearly what I call the “default parent”—and when she is at the end of her rope at the end of the day and cries mercy, bartering with her “partner” to give her a break, he refuses. I’m not demonizing him: he’s probably tired from a long day at work himself, and legitimately thinks the fact that he cleaned out the garage last weekend should get him off the hook from pitching in now. But that does not mean this working mom and dad “share the work” when it comes to the near 24/7 job of childcare.

The blogger Wired Momma had a different take on this that is even less accurate. In her post “Working Moms: Balance or Fifty Shades of Control?” Wired Momma diagnoses the Clifford Chance defector as a control freak who won’t let anyone help her and states that her departure memo “drips in martyrdom.” What does Wired Momma mean, exactly, by martyrdom? The blogger claims to wonder why the lawyer-mom’s husband is MIA from all the childcare duties throughout her crazy day, but in the end Wired Momma concludes that this working mom is “playing the role of martyr” because she has some sort of Fifty Shades of Gray fantasy of self-punishment (?!). Even more amazingly, Wired Momma (who I normally kind of like) says she wishes she could blame the American workplace for this woman’s problems, but really it’s her own damn fault: “let’s cut to the chase here people—no one likes a martyr—especially me because I have a hell of a time spelling that word.”

Turns out Wired Momma has even more trouble using the word “martyr” correctly than she does spelling it—and she’s in good company. Although “martyr” used to mean a person who sacrifices his/her life for a religious cause or a person who suffers without complaint for the sake of  principle, in our spiritually vapid and mostly unprincipled world we have zeroed in on a single, minor definition of martyr: a person who exaggerates his/her suffering to attain sympathy. Therein lies the issue, in my humble opinion.  The childcare labor that professional working mothers provide is so undervalued by our society that hardly anyone—even fellow moms like Wired Momma and Lisa Belkin—think that it’s really all that important or difficult. Just pass it off to your husband, they flippantly advise.

But we see the lawyer-mom attempt to do exactly that in her candid summary of her typical day: she asks her husband to share her burden and he refuses. And guess what? If she had pressed him to handle the kids’ bedtime routine despite “losing” the marital negotiation, I bet he would have accused her of being a martyr! Because in our society today, “martyr” has become a synonym for “nag,” in large part because childcare is so undervalued that hardly anyone (especially a man with an important job himself) thinks it merits their attention, or that it could really be causing a working mom all that much stress. And what’s less attractive than a martyr/nag? It’s not just hard to spell: it’s hard to look at.

Far easier to look at: Sarah Jessica Parker on the streets of New York with her twins. Although People magazine didn’t even mention the other woman in the photo when they ran it, SJP glamorously appears alongside the twins’ helpful nanny.

This is a big reason why celebrity moms look so darn good: busy working moms like Sarah Jessica Parker get to model motherhood without sacrifice. Instead of giving stuff up or sacrificing in silence, these celebrity moms’ privilege (including multiple high-paid nannies) allows them to actually gain stuff from being a working mom. They look better than before, they are more famous than before, they get endorsement deals beyond those available to childless celebs. No wonder these anti-martyrs taunt us real working moms and pressure us to avoid the stigma of appearing as martyrs ourselves.

Kristin Stewart and the Baby-Crazy Media

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There is no denying that celebrity “journalism” is obsessed with motherhood. Today on the Yahoo! homepage one of the trending stories was “Julianne Moore’s daughter”—which is basically fixating on how much the redheaded actress’s 10-year-old daughter is growing in her mini-me—and the umpteenth non-story about Twilight actress Kristin Stewart’s love life, which usually devolves into the umpteenth non-story of “K-Stew” being excited to become a mom…someday.

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Does Kristin Stewart look ready to be a mom to you?

Yahoo! is typical of many, many other media outlets, but it’s particularly curious that the search engine’s obsession with “baby dreams” and celebrity motherhood seems to grow in inverse relation to how ardently its new CEO Marissa Mayer attempts to hide her own maternal qualities. Mayer clearly doesn’t want to be put in her place as “just a mom” by allowing the media to fixate on her maternity; she understands that, unfortunately, in our society being looked at as a baby-machine undermines a woman’s professional credibility. So why are even the unlikeliest of celebrities being pegged as mothers-to-be? Kristin Stewart is barely legal (she’s 22) and obviously not too keen on commitment (much to puppy-faced Rob Pattinson’s dismay), so it’s absurd to constantly put “baby dreams” on her young shoulders. This glamorization of motherhood sends the message that baby-making is the most important way that girls and women contribute to this world, and that being a mom is a walk in the park. In this environment, it’s amazing that the U.S. teenage pregnancy rate has declined to its lowest level in my lifetime…

Hollywood’s Ageless Moms and My Own Mortality

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My son “Boy” turned seven yesterday. As you can see from the following photo, I gave him a sweet Lego set. What he gave me—bless his sweet little heart—was a brush with my own mortality.

Boy received a Lego set for his birthday. I received an existential date with my own mortality.

I cannot believe my baby boy is seven! Which is to say: I cannot believe I am old enough to have a seven-year-old son—and he’s only my second born! (My oldest, Elle, is almost 9.) We have intermittently practiced a family tradition of photographing each child with Mom on his/her birthday, presumably to track how each kid gets progressively bigger while Mommy stays the same size, but who am I kidding (and why am I talking about myself in the third person)? I’m getting older too, and all the hair dye and Bar Method workouts in the world can’t keep that fact at bay.

Boy and me on his 7th birthday (with Mo peeking from behind us). He’s getting older, which means I am too. In this photo you can see that, in my workout quest for Michelle Obama arms, I may have gone straight from flabby bat wings to Hulk Hogan, bypassing the First Lady toned sweet spot. 

I am reminded of this whenever supposedly “ageless” celebrity moms are pictured with their obviously growing kids, such as yesterday when Suri’s Burn Book featured a photo of super-petite Victoria Beckham with her three very tall sons, or whenever actress Reese Witherspoon (who had her first two children very young) is pictured with her big kids Deacon and Ava. There was an excellent essay in the New York Times‘ Sunday Styles section last weekend about dying gray hair called “The Fear of Aging.” In it, author Susan Dominus discusses the futility of trying to mask the signs of aging through desperate techniques like haircolor, which only call attention to the passage of time through their artificiality. It’s interesting to think of how this works with celebrity moms, whose very livelihood depends on deploying every technique and artifice available to ward off signs of aging and undesirability. If motherhood has become the hot style statement for women in Hollywood, these celebs will quickly discover that being a perfect mother and appearing ageless are two follies bound to collide.

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